Photography Should Be Fun

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© Joe DiMaggio

As a working photographer for quite a while, you tend to forget what it’s really all about: meeting beautiful girls, having cappuccino at one o’clock in the afternoon, and having some serious fun. Unless you’re hanging out with Mike Phillips, then you’re going to be drinking cheap white wine at one o’clock in the afternoon. It doesn’t make you a bad person. Ernst Haas pioneered time motion studies while I was still in my mother’s womb. I’ve always had an utmost respect for him as a photographer and someone who became more “edgy” the older he got. A great photographer and a great tech rep, Ron Thompson called me and commented on a double truck I had in Time magazine of an F-14 Tomcat and told me to check my camera to see if I had a shutter speed any faster than 1/8 of a second. You gotta love motion. To all the ships at sea, go out and make a photograph.

 

White Gallery: The First Review Is In!

© JoAnne Kalish

© JoAnne Kalish

To all the ships at sea, take a look at our first review!

“From Commercial to Fine Art

 By Leon Graham

“Raindrop” is currently on display at The White Gallery. photo by Joe DiMaggio

“Crossing the Line,” now at The White Gallery in Lakeville, is a collection of work from three talented commercial photographers, good friends with award-winning credentials, who now make fine art  for their own pleasure. Throughout their careers they created images for magazine publishers, advertising agencies, major companies. Now they bring the same eye and originality to these very personal photographs.

Dennis Wheeler is best known for the many Time magazine covers he created. And created is the right word, because he made covers that were collages designed to grab attention on newsstands as well as comment on the cover subject in powerful ways. Four silhouetted male profiles — red, yellow, white, black — overlapped for a story on leadership in America. A cover on the sex explosion showed a young man and woman facing each other with much of their bodies covered by a giant fig leaf zippered down the middle.

At the White, Wheeler shows complex mixed media collages of carefully arranged objects, drawings, little photos, slashes of paint both long and short, all on brilliantly colored backgrounds.

“Pasture” stands out for its evocation of land and horses and the suggestion of fences. Made in browns and blues, the work is focused on a central black-and-white image of horses eating in a pasture. A gentle horse face peers at us from behind the pastured animals; there are small pictures of lakes too. All lie on swirls of thin, colored lines that suggest fencing wire.

JoAnne Kalish was the first woman photographer at Sports Illustrated. She is known for her ability to capture light and motion, as well as for the sensuality of many images. Her pictures of vegetables — two bell peppers at the White show — are luscious, rounded, inviting. Her pears are erotic and painterly. Even the two dogs meeting in “Venezia” seem about to begin a romance.

Kalish’s “Eiffel” is a pyramid of luminosity as if reflected in water. Her “Reflections” catches a small boat to the left tied up on a narrow canal, while buildings are reflected abstractly in the water on the right, which has the sheen of a mirror.

Kalish’s partner, Joe DiMaggio, is also a former Sports Illustrated and Time magazine photographer. (His and Kalisch’s images of professional hockey are now shown at the NHL Hall of Fame in Canada.) He worked for many advertising agencies, won many art direction awards. He is a master of suggesting motion in still photos. “Chevelle” shows a bright and shiny wheel cover that seems to be catching a passing landscape on its surface. In “Frankfurt,” a group of people are blurred so they appear in motion.

“Raindrop” catches a pearl of water as it is about to fall from the wide brim of a black cowboy hat that glistens from the moisture. We see only the nose and mouth of a man, who sports a marvelous neck bandana studded with white stars. “Infinity” is made of double yellow highway lines stretching into the distance between hazy trees and road shoulders that appear to converge up the road. It is wonderfully composed.

“Crossing the Line” continues at The White Gallery, 342 Main St. in Lakeville, Conn., through Sept. 9. The gallery is open Thursday through Sunday, 11 a.m. to 4 p.m. Call 860-435-1029 or go to www.thewhitegalleryart.com.

 

“The Lakeville Journal, COMPASS,” August 4, 2016″

© Joe DiMaggio

© Joe DiMaggio

Wheeler 41A9786

© Dennis Wheeler

“New Photography” on Saatchi Art

There is a rumor out there that my very dear friend and partner are married. I’m not going to comment on that, it is just not my place. When I think of JoAnne, I never think of her as a woman photographer. I think of her as a great photographer. She has a huge talent and a very small ego. I doubt she would put this on her blog but I am going to put it on my blog.

JoAnne was featured on Saatchi Art with one of her iconic photographs.

On behalf of chief curator Rebecca Wilson and the Saatchi Art curation team, I’m very pleased to let you know that your work has been chosen to be featured in the New Photography Collection on Saatchi Art’s homepage. You can see the collection here: http://www.saatchiart.com/art-collection/Photography/New-Photography/722504/148747/view  “

Fanny and Pear ©JoAnne Kalish 72 dpi R e

© JoAnne Kalish

My Saatchi art account can be found through http://www.saatchiart.com/joedimaggio and JoAnne’s can be found through http://www.saatchiart.com/Whatssheupto.

 

The Greatest Things In Life are Free

_ White Gallery DSC3442

© Joe DiMaggio

My partner and best friend JoAnne Kalish and I try to go to a new gallery at least twice a month and when we are in Manhattan we sometimes can visit three in a day. You’d be surprised what you can learn from looking at others’  art, regardless of the medium. There was an artist in Miami that had 500 prints of the same photograph in a stack. Not something that I would do, but it was very cool. Both JoAnne, myself, and  dear friend Dennis Wheeler have discovered a fabulous boutique gallery in Lakeville, Connecticut. The owner and curator, Tino Galluzzo, has not only a great eye but is an extremely well rounded, smart entrepreneur. As far as the free stuff goes, he’s got a fabulous smile as well! If you’re within 50 miles of the White Gallery in Lakeville, CT , I would like to cordially invite you to come see the show. When you walk in, you’ll understand why they call it the White Gallery- makes perfect sense to me.

_White Gallery DSC3457 e

© Joe DiMaggio

White Gallery DSC3460 jd

©JoAnne Kalish

To all the ships at sea: Welcome.

White Gallery DSC3462 window

© Joe DiMaggio

To all the ships at sea: Welcome. (You can figure out the morse code!)Learn-morse-code-alphabet

Kalish: In the Permanent Collection (Portrait Section) of the National Gallery of Art Washington D.C.

© Joe DiMaggio

To all the ships at sea,

JoAnne Kalish has an extremely small ego and a great talent. If you sipped a cup of tea, had a glass of Chardonnay, or had a Jack Daniels on the rocks with JoAnne, she would not tell you that she was the first woman hired by Sports Illustrated. She wouldn’t tell you that she was the first woman at the Indianapolis 500 or the first female photographer in the NHL penalty box. And the list goes on and on and on. To be honest, when I think of JoAnne I never think of her in terms of a woman photographer, just one hell of a great photographer. If you want to have a really good time and see some great art, the DiMaggio/Kalish/ Wheeler “Crossing the Line” show opens at the White Gallery in Lakeville, CT. (http://www.thewhitegalleryart.com on Friday, July 29th and runs to September 7th with Artists’ reception on Saturday July 30th .

“JoAnne Kalish a professional photographer since the age of 18, JoAnne was the first woman photographer hired by “Sports Illustrated.” She was the only photographer at the Long Beach Grand Prix, who got the famous near shunt involving Mario Andretti and James Hunt at the start of the race. The photo was featured on the cover of SPORT ILLUSTRATED’sYear in Photos” and was used as a double page spread for the coffee-table book “Andretti.” JoAnne has worked for numerous national and international publications, as well as doing advertising and corporate work. Her specialties are portraiture, beauty and sensuality. She is most recently known for her iconic portrait of Artist Will Barnet which is now in the permanent collection of the National Gallery of Art’s portrait section in Washington D.C. Her work is featured in many private and public collections.”

 

 

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

Wheeler: In the Permanent Collection of the Museum of Modern Art

bio

Artist Dennis Wheeler

To all the ships at sea,

Anyone who know me knows that I have a basic philosophy in life: the greatest things in the life are free. They don’t cost anything. If you want to have an absolutely great time and see some wonderful art, the DiMaggio/Kalish/Wheeler “Crossing the Line” show opens at the White Gallery (http://www.thewhitegalleryart.com/) on Friday, July 29th and runs to September 7th with artists’ reception Saturday July 30th. Dennis Wheeler (http://denniswheelerart.com/bio/) has been a dear friend, teacher, and mentor of mine for a very long time. Hope to see you at the show.

“Dennis Wheeler’s experience in designing information stems from a varied career of award-winning Art and Creative Directorships.  In 1970, after several Art Director positions within Time Incorporated, he created the Corporate Creative Services Division, a department of five people responsible for delivering solutions for inter-corporate ad campaigns, exhibits, video presentations, identity programs and special advertising sections. During this period he also succeeded in producing designs for covers of Time, Fortune, and Life magazines.  13 of Wheeler’s 40 covers for Time are in the collection of the National Portrait Gallery, Smithsonian Institute, Washington, D.C.  “The Sex Explosion”, July 11, 1969, is currently on view in an exhibit there called “Time Covers the 1960’s”.  Five of his posters for Life magazine are in the permanent collection of Design and Architecture, Museum of Modern Art, New York.

Upon creating his own company in 1972, many of Wheeler’s clients within Time Incorporated became his clients outside the company.  He was responsible for the entire identity and development of printed materials for Manhattan Cable Television, and the name, logo and two full “dummies” of Discover magazine. Transportation Displays Inc. retained him to supply a complete information display system for Logan International Airport, which was a factor in the widespread use of digital television in airports’ signage.

In 1980 Wheeler formed B&W Productions, as a subsidiary to his company, to create brand names and merchandising programs for mass marketers – JC Penney, Sears, and K-Mart.  Within two years, B&W Productions had created retail programs – Body Lingo and Ultimate in Sports Apparel  – which yielded nine-figure returns to the marketers.  The Education Utility, a joint venture between AT&T and the National Information Utility, provided an opportunity in 1987 to design his concept for “The Classroom of the Future” and present this work to the United States High School Superintendents Association.

In 1990, Wheeler began specializing in corporate identity programs, event identity programs, and new product development while also finding time to pursue his fine art activities.  A studio/gallery was opened on his property in Hillsdale, NY in 2006 where he now can implement designs he has been working on for several decades.”

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

White Gallery Calendar Listing

To all the ships at sea,

Two of my all time favorite artists, Dennis Wheeler and JoAnne Kalish, are coming together with me to do a combined show at the White Gallery. Should be a great show, would love to see you there.

“Event Description: Is it commercial art or is it fine art? A question we hear often lately because of the convergence of art and technology. These three artists have all enjoyed successful careers in the publishing world as photographers and designers with both Sports Illustrated and Time Inc. That was then. What is now are three artists who utilize the same skill sets to create beautiful art. We hope you join us to see the art of Joe DiMaggio, Joanne Kalish, and Dennis Wheeler. The exhibition opens July 29th and runs thru September 7th with the artists’ reception July 30th from 5-7pm.”

The gallery can be found at 342 Main St., Lakeville, CT 06039 and the gallery’s webpage can be found at http://www.thewhitegalleryart.com/ .

© Dennis Wheeler

© Dennis Wheeler

Pears ©JoAnne Kalish 3043 72dpi e

© JoAnne Kalish

Phone Booth 2 ©DiMaggio 72 dpi 0388R e

© Joe DiMaggio

Cuba: Through a Photographers Lens – The Photographers

 

Cuba © Joe  DiMaggio-3975 e

© Joe DiMaggio

Cuba: Through a Photographers Lens with Joe DiMaggio and JoAnne Kalish. The last time I was in Cuba, Bill Clinton was President of the United States. The last thing that I want to

do is talk politics. For the last fifty plus years we’ve maintained an embargo on Cuba. If you’d like to know my personal view, give me a call.

It seemed in the attached photos that every time we had someone taking a group photo of us, we were eating or drinking our way through Cuba – but this was hardly half of it and not true. We had an extraordinary group who knew their photography and were very aware of our history and the culture of Cuba as well. We met and spent time with many wonderful Cuban people. We left with concerns about our new friends on that beautiful Island ninety miles off of our shore.

There are no excuses, as I still have not done a reasonable edit on my personal photographs.  I hope to have them done before November 17 as JoAnne and I will be leading another People to Exchange to Cuba from Miami.  We are close to to filling this trip up, so please keep in mind that if you’d like to join us – please let us know as soon as possible. Some of these photos I posted are obviously not all mine.

I’d like to thank all the photographers who joined us and all the wonderful Cuban people that made it such a very special trip. Also thanks to the people behind the scenes as well who worked diligently to make it work smoothly and as successfully as our trip did.

© Joe  DiMaggio

© Joe DiMaggio

Cuba John Huntington 4434e

© Joe DiMaggio

 

Cuba © Joe  DiMaggio-4532 e

© Joe DiMaggio

© Joe  DiMaggio

© Joe DiMaggio

 

© Joe  DiMaggio

© Joe DiMaggio

© Joe  DiMaggio

© Joe DiMaggio

 

© Joe  DiMaggio

© Joe DiMaggio

 

© Joe  DiMaggio

© Joe DiMaggio

 

Merry Christmas?! Wait a minute, it’s not even Thanksgiving!

ImageThe other day I was privileged to have lunch with a very dear friend of mine. Don Sergeant, an extremely bright, creative and dynamic Vietnam war veteran, whose main responsibility in this world is to save lives; a beautiful man. When we finished lunch, I  stopped by The Forge Gallery and said hello to another dear friend, Phil Rachelson. Phil is not only a great artist, he also has the ability of generating great designs in his gallery. He displays the artwork in a way; it’s pleasant to the eye and geometrically sound. It’s a special Christmas show, to all the ships at sea, if you have an opportunity stop by and support the artists and the gallery. Great art at great prices. -Joe D.Image