The Ultimate Backstage Pass! With Blues Musician Bobby Kyle Saturday June 10, 2017

© Joe DiMaggio

A UNIQUE OPPORTUNITY for a VERY SPECIAL EVENING with LIVE MUSIC, MULTI-MEDIA and an INTIMATE PERSONAL CONVERSATION, INCLUDING Q & A with BLUES MUSICIAN BOBBY KYLE. 

Workshop will be limited to a small intimate group only.      Early Sign up cost before April 18 $200 (see Paypal link below)

Come join Joe & JoAnne at the DiMaggio/Kalish Learning Center (in the Upper Delaware, Milford, PA) with musician Bobby Kyle for the pre-release of his new Blues Album ”IT’S MY LIFE.” Both Joe DiMaggio and JoAnne Kalish, two internationally known credentialed, photographers, will be joining forces with Bluesman Bobby Kyle to bring together and very special evening and unique experience on Saturday June 10.

Joe and JoAnne have been photographing and filming Bobby for the past 20 years. As part of the evening Bobby will talk about what it takes to write and produce music, the state of the music business today, and what it means to be an artist. We will listen to some of Bobby’s music and his upcoming album, along with a multi-media presentation. Afterwards, there will be portrait session, in the studio and a private acoustic set. Autographed CD’s will be available. This is not a photo walk in Central Park but a special evening and a once and a lifetime unique opportunity.

Wine and cheese will be included. Hours 6-9  

For more information & Paypal link – 

© JoAnne Kalish

You Thought You Were Out and then They Pulled You Back in Again

© Joe DiMaggio

© Joe DiMaggio

We had an extremely successful holiday workshop in NYC. Everyone had a great time, it doesn’t get better than that. As we were strolling to Saint Patrick’s Cathedral we ran into a few demonstrators in front of Trump Tower. Under normal circumstances I would be very wordy right about now, but unfortunately I just had an old visit from our old friend Murphy. yeah, Murphy stopped by and fried my iMac so I’m working on JoAnne’s laptop which is a little uncomfortable so I am going to wish you a very merry Christmas, happy New Year, happy Kwanzaa, happy Chanukah. Happy, happy, happy! Live, love, laugh and be happy. Oops! And don’t forget, smile. It’s like the flu- it’s contagious! Did I say that?

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

 

Richie Havens Sings Dylan

richie-havens-dimaggio-eTo all the ships at sea,

 

I went to the gym today and while I was on the elliptical, I decided to listen to my old friend Richie Havens. Richie and I went back a long, long way and in the download there was an album of Richie’s that I’ve never heard!  It was Richie singing all Bob Dylan songs. Pretty amazing. One of those songs was “The Times They Are A-Changin'” and he put a little twist on it- the lyrics were never touched, but it was Richie’s. Then I thought about Bob winning the nobel prize for literature and the more you get in into it, the more you realize what a genius Dylan was and still is. You also realize how timely the music is in 2016. It’s amazing, totally amazing!

“The Times They Are A-Changin'”

“Come gather ’round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You’ll be drenched to the bone
If your time to you
Is worth savin’
Then you better start swimmin’
Or you’ll sink like a stone
For the times they are a-changin’

Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won’t come again
And don’t speak too soon
For the wheel’s still in spin
And there’s no tellin’ who
That it’s namin’
For the loser now
Will be later to win
For the times they are a-changin’

Come senators, congressmen
Please heed the call
Don’t stand in the doorway
Don’t block up the hall
For he that gets hurt
Will be he who has stalled
There’s a battle outside ragin’
It’ll soon shake your windows
And rattle your walls
For the times they are a-changin’

Come mothers and fathers
Throughout the land
And don’t criticize
What you can’t understand
Your sons and your daughters
Are beyond your command
Your old road is rapidly agin’
Please get out of the new one
If you can’t lend your hand
For the times they are a-changin'”

dylan-havens-e

Dylan DiMaggio and Richie Havens © JoAnne Kalish

richie-havens-and-dimaggio-741201-e

Joe DiMaggio and Richie Havens © JoAnne Kalish

Looking Forward to a New Year

© White Gallery

© White Gallery

To all the ships at sea,

Well, all good things must come to an end. The Wheeler-Kalish-DiMaggio show at the White Gallery has come to an end. A great end, but an end nonetheless. From my vantage point, the ability to share a gallery with two amazing artists was a wonderful experience.  It was an awful lot of fun and extremely rewarding on many different levels with the two gallery owners, Tino and Susan, as well. Dennis, myself, and JoAnne, along with Tino and Susan, entered into this experiment with an open mind and like many things in my life and my career I came away learning something. Ninety-nine percent of the time it’s positivity, and in this particular case everything was positive. Great venue, show, people, support, and communication- what else could you ask for? To say nothing of the fact that all three of us artists had substantial sales of our work. I’m having a lunch tomorrow with Dennis and JoAnne and we are looking forward to our next show together. Life is good, sky is blue, the clouds are white. I continue to learn a little bit more about life everyday. So please pick up your cameras and go out and make some fine photos.

P.S. It’s free, and all the great things in life are free!

Hope to see you on the road,

Joe D.

_41a0159

© Joe DiMaggio

© JoAnne Kalish

© JoAnne Kalish

© Joe DiMaggio

© Joe DiMaggio

White Gallery: The First Review Is In!

© JoAnne Kalish

© JoAnne Kalish

To all the ships at sea, take a look at our first review!

“From Commercial to Fine Art

 By Leon Graham

“Raindrop” is currently on display at The White Gallery. photo by Joe DiMaggio

“Crossing the Line,” now at The White Gallery in Lakeville, is a collection of work from three talented commercial photographers, good friends with award-winning credentials, who now make fine art  for their own pleasure. Throughout their careers they created images for magazine publishers, advertising agencies, major companies. Now they bring the same eye and originality to these very personal photographs.

Dennis Wheeler is best known for the many Time magazine covers he created. And created is the right word, because he made covers that were collages designed to grab attention on newsstands as well as comment on the cover subject in powerful ways. Four silhouetted male profiles — red, yellow, white, black — overlapped for a story on leadership in America. A cover on the sex explosion showed a young man and woman facing each other with much of their bodies covered by a giant fig leaf zippered down the middle.

At the White, Wheeler shows complex mixed media collages of carefully arranged objects, drawings, little photos, slashes of paint both long and short, all on brilliantly colored backgrounds.

“Pasture” stands out for its evocation of land and horses and the suggestion of fences. Made in browns and blues, the work is focused on a central black-and-white image of horses eating in a pasture. A gentle horse face peers at us from behind the pastured animals; there are small pictures of lakes too. All lie on swirls of thin, colored lines that suggest fencing wire.

JoAnne Kalish was the first woman photographer at Sports Illustrated. She is known for her ability to capture light and motion, as well as for the sensuality of many images. Her pictures of vegetables — two bell peppers at the White show — are luscious, rounded, inviting. Her pears are erotic and painterly. Even the two dogs meeting in “Venezia” seem about to begin a romance.

Kalish’s “Eiffel” is a pyramid of luminosity as if reflected in water. Her “Reflections” catches a small boat to the left tied up on a narrow canal, while buildings are reflected abstractly in the water on the right, which has the sheen of a mirror.

Kalish’s partner, Joe DiMaggio, is also a former Sports Illustrated and Time magazine photographer. (His and Kalisch’s images of professional hockey are now shown at the NHL Hall of Fame in Canada.) He worked for many advertising agencies, won many art direction awards. He is a master of suggesting motion in still photos. “Chevelle” shows a bright and shiny wheel cover that seems to be catching a passing landscape on its surface. In “Frankfurt,” a group of people are blurred so they appear in motion.

“Raindrop” catches a pearl of water as it is about to fall from the wide brim of a black cowboy hat that glistens from the moisture. We see only the nose and mouth of a man, who sports a marvelous neck bandana studded with white stars. “Infinity” is made of double yellow highway lines stretching into the distance between hazy trees and road shoulders that appear to converge up the road. It is wonderfully composed.

“Crossing the Line” continues at The White Gallery, 342 Main St. in Lakeville, Conn., through Sept. 9. The gallery is open Thursday through Sunday, 11 a.m. to 4 p.m. Call 860-435-1029 or go to www.thewhitegalleryart.com.

 

“The Lakeville Journal, COMPASS,” August 4, 2016″

© Joe DiMaggio

© Joe DiMaggio

Wheeler 41A9786

© Dennis Wheeler

Delray? IcK!

Delray © Kalish 1521hpS e

© JoAnne Kalish

I walked past JoAnne’s desk the other day and saw this photo and was knocked on my ___ ___ ___… okay, my ass. Simple, clean, elegant… until I saw the name! IcK! I don’t like titles, any titles! Yes, in recent days I have been forced to come up with titles, but you know what makes a great title? “Untitled”! I like that title!  I am going to try everything in the world to get JoAnne to change the title of this to “Untitled” or “Beach”, or maybe “Sand” or “Soft”. So by now you have probably put two and two together and figured out that I don’t like titles… but I love this photograph. It’s a direct contradiction to what JoAnne does so well. No title necessary.

Oh my God, JoAnne just used a word  “yes”! To all the ships at sea, please note the time and date because the next time this happens Haley’s comet will be going over your head!

“New Photography” on Saatchi Art

There is a rumor out there that my very dear friend and partner are married. I’m not going to comment on that, it is just not my place. When I think of JoAnne, I never think of her as a woman photographer. I think of her as a great photographer. She has a huge talent and a very small ego. I doubt she would put this on her blog but I am going to put it on my blog.

JoAnne was featured on Saatchi Art with one of her iconic photographs.

On behalf of chief curator Rebecca Wilson and the Saatchi Art curation team, I’m very pleased to let you know that your work has been chosen to be featured in the New Photography Collection on Saatchi Art’s homepage. You can see the collection here: http://www.saatchiart.com/art-collection/Photography/New-Photography/722504/148747/view  “

Fanny and Pear ©JoAnne Kalish 72 dpi R e

© JoAnne Kalish

My Saatchi art account can be found through http://www.saatchiart.com/joedimaggio and JoAnne’s can be found through http://www.saatchiart.com/Whatssheupto.

 

The Greatest Things In Life are Free

_ White Gallery DSC3442

© Joe DiMaggio

My partner and best friend JoAnne Kalish and I try to go to a new gallery at least twice a month and when we are in Manhattan we sometimes can visit three in a day. You’d be surprised what you can learn from looking at others’  art, regardless of the medium. There was an artist in Miami that had 500 prints of the same photograph in a stack. Not something that I would do, but it was very cool. Both JoAnne, myself, and  dear friend Dennis Wheeler have discovered a fabulous boutique gallery in Lakeville, Connecticut. The owner and curator, Tino Galluzzo, has not only a great eye but is an extremely well rounded, smart entrepreneur. As far as the free stuff goes, he’s got a fabulous smile as well! If you’re within 50 miles of the White Gallery in Lakeville, CT , I would like to cordially invite you to come see the show. When you walk in, you’ll understand why they call it the White Gallery- makes perfect sense to me.

_White Gallery DSC3457 e

© Joe DiMaggio

White Gallery DSC3460 jd

©JoAnne Kalish

To all the ships at sea: Welcome.

White Gallery DSC3462 window

© Joe DiMaggio

To all the ships at sea: Welcome. (You can figure out the morse code!)Learn-morse-code-alphabet

Kalish: In the Permanent Collection (Portrait Section) of the National Gallery of Art Washington D.C.

© Joe DiMaggio

To all the ships at sea,

JoAnne Kalish has an extremely small ego and a great talent. If you sipped a cup of tea, had a glass of Chardonnay, or had a Jack Daniels on the rocks with JoAnne, she would not tell you that she was the first woman hired by Sports Illustrated. She wouldn’t tell you that she was the first woman at the Indianapolis 500 or the first female photographer in the NHL penalty box. And the list goes on and on and on. To be honest, when I think of JoAnne I never think of her in terms of a woman photographer, just one hell of a great photographer. If you want to have a really good time and see some great art, the DiMaggio/Kalish/ Wheeler “Crossing the Line” show opens at the White Gallery in Lakeville, CT. (http://www.thewhitegalleryart.com on Friday, July 29th and runs to September 7th with Artists’ reception on Saturday July 30th .

“JoAnne Kalish a professional photographer since the age of 18, JoAnne was the first woman photographer hired by “Sports Illustrated.” She was the only photographer at the Long Beach Grand Prix, who got the famous near shunt involving Mario Andretti and James Hunt at the start of the race. The photo was featured on the cover of SPORT ILLUSTRATED’sYear in Photos” and was used as a double page spread for the coffee-table book “Andretti.” JoAnne has worked for numerous national and international publications, as well as doing advertising and corporate work. Her specialties are portraiture, beauty and sensuality. She is most recently known for her iconic portrait of Artist Will Barnet which is now in the permanent collection of the National Gallery of Art’s portrait section in Washington D.C. Her work is featured in many private and public collections.”

 

 

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

© JoAnne Kalish

Wheeler: In the Permanent Collection of the Museum of Modern Art

bio

Artist Dennis Wheeler

To all the ships at sea,

Anyone who know me knows that I have a basic philosophy in life: the greatest things in the life are free. They don’t cost anything. If you want to have an absolutely great time and see some wonderful art, the DiMaggio/Kalish/Wheeler “Crossing the Line” show opens at the White Gallery (http://www.thewhitegalleryart.com/) on Friday, July 29th and runs to September 7th with artists’ reception Saturday July 30th. Dennis Wheeler (http://denniswheelerart.com/bio/) has been a dear friend, teacher, and mentor of mine for a very long time. Hope to see you at the show.

“Dennis Wheeler’s experience in designing information stems from a varied career of award-winning Art and Creative Directorships.  In 1970, after several Art Director positions within Time Incorporated, he created the Corporate Creative Services Division, a department of five people responsible for delivering solutions for inter-corporate ad campaigns, exhibits, video presentations, identity programs and special advertising sections. During this period he also succeeded in producing designs for covers of Time, Fortune, and Life magazines.  13 of Wheeler’s 40 covers for Time are in the collection of the National Portrait Gallery, Smithsonian Institute, Washington, D.C.  “The Sex Explosion”, July 11, 1969, is currently on view in an exhibit there called “Time Covers the 1960’s”.  Five of his posters for Life magazine are in the permanent collection of Design and Architecture, Museum of Modern Art, New York.

Upon creating his own company in 1972, many of Wheeler’s clients within Time Incorporated became his clients outside the company.  He was responsible for the entire identity and development of printed materials for Manhattan Cable Television, and the name, logo and two full “dummies” of Discover magazine. Transportation Displays Inc. retained him to supply a complete information display system for Logan International Airport, which was a factor in the widespread use of digital television in airports’ signage.

In 1980 Wheeler formed B&W Productions, as a subsidiary to his company, to create brand names and merchandising programs for mass marketers – JC Penney, Sears, and K-Mart.  Within two years, B&W Productions had created retail programs – Body Lingo and Ultimate in Sports Apparel  – which yielded nine-figure returns to the marketers.  The Education Utility, a joint venture between AT&T and the National Information Utility, provided an opportunity in 1987 to design his concept for “The Classroom of the Future” and present this work to the United States High School Superintendents Association.

In 1990, Wheeler began specializing in corporate identity programs, event identity programs, and new product development while also finding time to pursue his fine art activities.  A studio/gallery was opened on his property in Hillsdale, NY in 2006 where he now can implement designs he has been working on for several decades.”

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler

© Dennis Wheeler