All that Jazz Lillie Howard and Company

Jazz LIllie Howard

Jazz Rich Syracuse

Jazz Harvey Kaiser © Joe DiMaggio

Joe DiMaggio and Roy Scheider © JoAnne Kalish

To All The Ships at Sea,

My great friend actor Roy Scheider, when I told him that my favorite film was ALL THAT JAZZ. He smiled and said, “You know why I was so good in that?  Because I was intense, dedicated, loved women, loved partying and attacked life head on and you know why you liked it? Because you’re the same as me.” Wow, what a compliment.  Stuff like that is a lot more valuable than money.  He was truly a great actor and great guy. One time JoAnne took me to the Blue Note and we saw Alberta Hunter. Alberta Hunter was one of the greatest American Jazz singers of all time.  That probably started my love affair with Jazz and the Blues.  Then I ran into Hugh Brodie who turned me onto Kitt Potter and Lilly Howard.  Lilly was playing in NY the other night and JoAnne and I went to see her.  She was playing with Guitarist Mike Jackson, Saxophonist Harvey Kaiser, Drummer Bobby Sanabria, and Bassist Rich Syracuse three great sets.  Wow the end to a perfect week.  She was kind enough to introduce me to her son who appeared to be a very cool dude.  Like all great singers she sings from the heart and gut.  She’ll certainly bring a smile or a tear to your eye.  She has that kind of power.  As a photographer you get to meet a lot of great people which is very cool… An adventure every day, and  a holiday every week.  It doesn’t get better than that.  By the way here is some information on my recent book FILL THE FRAME.

Jazz and Blues  – you can’t tell the difference after dark

 

 

Front Cover FILL THE FRAME

“Recalling His Adventures as a Working Photographer from the 60’s to present day. The book describes his career working for publications such as SPORTS ILLUSTRATED, TIME MAGAZINE, HBO, rapidly followed by a brilliant career in Corporate and Advertising.  It’s also about how photography has evolved over the years.”

FILL THE FRAME goes into detail about the many people he has photographed – celebrities, sports figures as well as so many others and his experiences working with them, and the stories behind the photographs.

Book is $20 plus $4 shipping. You can pay by check, paypal or credit card (through Paypal.)  
Click here to purchase the book on paypal – https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=76BHV2D849WAS

First of many Amazon Reviews – “Where have you been Joe DiMaggio…An amazing recounting of this photographers life.  Each story is a touchstone to a period that resonates in our collective recollection of America.  It’s at once funny, sad, and charming, I simply couldn’t put it down.  A great read…” S. Simon Jacob

SUPPORT LIVING ARTISTS!

FILL THE FRAME The First Chapter – Peter Paul & Mary

© Joe DiMaggio

© Joe DiMaggio

PETER, PAUL and MARY

In 1969, a new singing group was performing at a Long Island ice skating rink, a trio, actually – Peter, Paul and Mary. I phoned the local newspaper and asked for a press credential.  I was turned down. I called another paper; same story.  Then I called a weekly, uh, newspaper, containing mostly supermarket coupons, and they said they’d love to give me a credential — if they had any.  Make one up, I was told, which I did, subsequently proceeding to bluff my way into the concert.  I had a Mamiya C220 camera by then, and an ancient, beat up Leica 3-C.  I loaded both with Tri-X black and white film, and as show time approached I managed to work my way onto one wing of the stage.  I had loved Peter, Paul and Mary from the start.  Mary Travers was the most beautiful woman I’d ever seen.  That hair, those eyes . . . and her voice was from heaven. The moments approaching her opening note were counting down, and I was trembling.  Then, during the sound check, Mary and her partners walked by, and she said, “Who the fuck is doing the sound here?  It sounds like shit.”  I think I grew up at that moment.  I’d heard those words before, just not from a goddess.  Looking back, my photos of the concert were of average quality, except for one shot of Mary, alone on a stool.  I sent her a copy.  Several years later, during one of her TV interviews, there it was, on the sofa behind her head.  More than 40 years have passed since then, and I’ve never stopped looking for the negatives.

The Ultimate Backstage Pass! With Blues Musician Bobby Kyle Saturday June 10, 2017

© Joe DiMaggio

A UNIQUE OPPORTUNITY for a VERY SPECIAL EVENING with LIVE MUSIC, MULTI-MEDIA and an INTIMATE PERSONAL CONVERSATION, INCLUDING Q & A with BLUES MUSICIAN BOBBY KYLE. 

Workshop will be limited to a small intimate group only.      Early Sign up cost before April 18 $200 (see Paypal link below)

Come join Joe & JoAnne at the DiMaggio/Kalish Learning Center (in the Upper Delaware, Milford, PA) with musician Bobby Kyle for the pre-release of his new Blues Album ”IT’S MY LIFE.” Both Joe DiMaggio and JoAnne Kalish, two internationally known credentialed, photographers, will be joining forces with Bluesman Bobby Kyle to bring together and very special evening and unique experience on Saturday June 10.

Joe and JoAnne have been photographing and filming Bobby for the past 20 years. As part of the evening Bobby will talk about what it takes to write and produce music, the state of the music business today, and what it means to be an artist. We will listen to some of Bobby’s music and his upcoming album, along with a multi-media presentation. Afterwards, there will be portrait session, in the studio and a private acoustic set. Autographed CD’s will be available. This is not a photo walk in Central Park but a special evening and a once and a lifetime unique opportunity.

Wine and cheese will be included. Hours 6-9  

For more information & Paypal link – 

© JoAnne Kalish

RIP Photographer Howard Bingham by Joe DiMaggio

To All the Ships at Sea,

© Kenneth Lambert, AP

I’d like to share a story. My son Dylan came home from school from 4th grade class with a unusual request. He asked that I get Muhammad Ali to call all the kids in his class.  I told him that would not be easy.  He said please, “I’d like you to do this.” I called my good friend Bert Sugar – “Mr. Boxing”  and the “Bertster” tried to reach out to Ali, but was unable to connect.  He said, “Joe on a conference call we will phone Howard Bingham” (Ali’s photographer.)  I had met Howard a few times but we were not close friends.  We spoke to Howard and he said he’d see what he could do. He asked me, what time and on what phone number?”  I told him approximately 1:05 on Thursday afternoon & gave him the number. I figured there was a very slim chance of this happening.  I was told the call went through the speakers and sure enough It was Muhammad Ali talking to all the kids in Dylan’s grade class.

There are very few people and this goes for Bert Sugar, Howard Bingham and Muhammad Ali that would extend themselves for a bunch of kids.  I’m blessed knowing people like this.  I might add, it is mainly due to people I’ve met through photography.  Bert Sugar died on my birthday a few years ago, Muhammad Ali died this year and now Howard Bingham died December 15 this year.  I casually mentioned this story to my friend Sam Garcia and he insisted I do a blog on Howard, which I was going to do anyway.  He said you can tell your people from me, that Howard was one of the sweetest most self effacing people he had ever met.  He always remembered everyones’ name, was a genuinely sweet individual, and one hell of a great photographer.

We’ll have a 10 count tonight for Howard.  Attached you will find a short video I did in Cuba a few weeks ago at Kid Chocolate Gym.  https://vimeo.com/193916645

© Joe DiMaggio All Rights Reserved

© Joe DiMaggio

Sam by © Sam Garcia

 

You Thought You Were Out and then They Pulled You Back in Again

© Joe DiMaggio

© Joe DiMaggio

We had an extremely successful holiday workshop in NYC. Everyone had a great time, it doesn’t get better than that. As we were strolling to Saint Patrick’s Cathedral we ran into a few demonstrators in front of Trump Tower. Under normal circumstances I would be very wordy right about now, but unfortunately I just had an old visit from our old friend Murphy. yeah, Murphy stopped by and fried my iMac so I’m working on JoAnne’s laptop which is a little uncomfortable so I am going to wish you a very merry Christmas, happy New Year, happy Kwanzaa, happy Chanukah. Happy, happy, happy! Live, love, laugh and be happy. Oops! And don’t forget, smile. It’s like the flu- it’s contagious! Did I say that?

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

Holiday Time in NYC

© Joe DiMaggio

 

Looking Forward to a New Year

© White Gallery

© White Gallery

To all the ships at sea,

Well, all good things must come to an end. The Wheeler-Kalish-DiMaggio show at the White Gallery has come to an end. A great end, but an end nonetheless. From my vantage point, the ability to share a gallery with two amazing artists was a wonderful experience.  It was an awful lot of fun and extremely rewarding on many different levels with the two gallery owners, Tino and Susan, as well. Dennis, myself, and JoAnne, along with Tino and Susan, entered into this experiment with an open mind and like many things in my life and my career I came away learning something. Ninety-nine percent of the time it’s positivity, and in this particular case everything was positive. Great venue, show, people, support, and communication- what else could you ask for? To say nothing of the fact that all three of us artists had substantial sales of our work. I’m having a lunch tomorrow with Dennis and JoAnne and we are looking forward to our next show together. Life is good, sky is blue, the clouds are white. I continue to learn a little bit more about life everyday. So please pick up your cameras and go out and make some fine photos.

P.S. It’s free, and all the great things in life are free!

Hope to see you on the road,

Joe D.

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© Joe DiMaggio

© JoAnne Kalish

© JoAnne Kalish

© Joe DiMaggio

© Joe DiMaggio

Ringside or Ring Sight? That Is the Question.

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© Dylan DiMaggio

The main protagonist in my film “in this corner” is Harry Keitt. Harry is a former heavyweight boxer who now trains fighters. The fighter he is working with today is “Big Baby” Miller, who on Friday night was fighting for the WBO and ____ Heavyweight championship. We called our agent and requested two ringside credentials, one for Dylan and myself. The venue agreed (I told the promoter that if we couldn’t have two at ringside that I would not cover the fight. He assured me no problem). The day of the fight, we were informed that there would be only one ringside position and one auxiliary (which was supposed to be a great position.) We picked up our credentials at 6 o’clock. I made the executive decision to have Dylan shoot ringside and I would shoot from the auxiliary position. I believe the auxiliary poisiton was approximately 250 yards from the ring. You would think that Dylan got the best part of the deal until you realize that the only fight we HAD to cover didn’t start until after 12 o’clock midnight. Someone once asked what it was like to be a professional working photographer.  I’ve heard ten photographers say the same thing, “Hurry up and wait!” And thats what you do you – hurry up and wait. Being up since 5 AM with no dinner and it being after midnight the next day which was Saturday morning, after seven hours of standing and no break, nor bathroom is not the easiest thing in the world. Well, the reality is Dylan kicked ass and took names.  For the record, ten minutes before the main event, the promoter came over and said, “Here’s your ringside credential.”  The interesting part of it is that after waiting six hours, I was cold, not an excuse – I’m not complaining… just explaining. The reality is, Dylan outshot me.

As a footnote: That is just this one time. Rest assured, next time I’m going to try and blow his doors off! The question is, well you know what the question is, but let’s be clear about one thing: I’m not hanging him up just yet. Maybe in ten or fifteen years…but not yet… I take my beret off to Dylan. Once, just once.

© Dylan Michael

© Dylan DiMaggio

© Dylan Michael

© Dylan DiMaggio

fight

© Dylan DiMaggio

White Gallery: The First Review Is In!

© JoAnne Kalish

© JoAnne Kalish

To all the ships at sea, take a look at our first review!

“From Commercial to Fine Art

 By Leon Graham

“Raindrop” is currently on display at The White Gallery. photo by Joe DiMaggio

“Crossing the Line,” now at The White Gallery in Lakeville, is a collection of work from three talented commercial photographers, good friends with award-winning credentials, who now make fine art  for their own pleasure. Throughout their careers they created images for magazine publishers, advertising agencies, major companies. Now they bring the same eye and originality to these very personal photographs.

Dennis Wheeler is best known for the many Time magazine covers he created. And created is the right word, because he made covers that were collages designed to grab attention on newsstands as well as comment on the cover subject in powerful ways. Four silhouetted male profiles — red, yellow, white, black — overlapped for a story on leadership in America. A cover on the sex explosion showed a young man and woman facing each other with much of their bodies covered by a giant fig leaf zippered down the middle.

At the White, Wheeler shows complex mixed media collages of carefully arranged objects, drawings, little photos, slashes of paint both long and short, all on brilliantly colored backgrounds.

“Pasture” stands out for its evocation of land and horses and the suggestion of fences. Made in browns and blues, the work is focused on a central black-and-white image of horses eating in a pasture. A gentle horse face peers at us from behind the pastured animals; there are small pictures of lakes too. All lie on swirls of thin, colored lines that suggest fencing wire.

JoAnne Kalish was the first woman photographer at Sports Illustrated. She is known for her ability to capture light and motion, as well as for the sensuality of many images. Her pictures of vegetables — two bell peppers at the White show — are luscious, rounded, inviting. Her pears are erotic and painterly. Even the two dogs meeting in “Venezia” seem about to begin a romance.

Kalish’s “Eiffel” is a pyramid of luminosity as if reflected in water. Her “Reflections” catches a small boat to the left tied up on a narrow canal, while buildings are reflected abstractly in the water on the right, which has the sheen of a mirror.

Kalish’s partner, Joe DiMaggio, is also a former Sports Illustrated and Time magazine photographer. (His and Kalisch’s images of professional hockey are now shown at the NHL Hall of Fame in Canada.) He worked for many advertising agencies, won many art direction awards. He is a master of suggesting motion in still photos. “Chevelle” shows a bright and shiny wheel cover that seems to be catching a passing landscape on its surface. In “Frankfurt,” a group of people are blurred so they appear in motion.

“Raindrop” catches a pearl of water as it is about to fall from the wide brim of a black cowboy hat that glistens from the moisture. We see only the nose and mouth of a man, who sports a marvelous neck bandana studded with white stars. “Infinity” is made of double yellow highway lines stretching into the distance between hazy trees and road shoulders that appear to converge up the road. It is wonderfully composed.

“Crossing the Line” continues at The White Gallery, 342 Main St. in Lakeville, Conn., through Sept. 9. The gallery is open Thursday through Sunday, 11 a.m. to 4 p.m. Call 860-435-1029 or go to www.thewhitegalleryart.com.

 

“The Lakeville Journal, COMPASS,” August 4, 2016″

© Joe DiMaggio

© Joe DiMaggio

Wheeler 41A9786

© Dennis Wheeler

“New Photography” on Saatchi Art

There is a rumor out there that my very dear friend and partner are married. I’m not going to comment on that, it is just not my place. When I think of JoAnne, I never think of her as a woman photographer. I think of her as a great photographer. She has a huge talent and a very small ego. I doubt she would put this on her blog but I am going to put it on my blog.

JoAnne was featured on Saatchi Art with one of her iconic photographs.

On behalf of chief curator Rebecca Wilson and the Saatchi Art curation team, I’m very pleased to let you know that your work has been chosen to be featured in the New Photography Collection on Saatchi Art’s homepage. You can see the collection here: http://www.saatchiart.com/art-collection/Photography/New-Photography/722504/148747/view  “

Fanny and Pear ©JoAnne Kalish 72 dpi R e

© JoAnne Kalish

My Saatchi art account can be found through http://www.saatchiart.com/joedimaggio and JoAnne’s can be found through http://www.saatchiart.com/Whatssheupto.

 

The Greatest Things In Life are Free

_ White Gallery DSC3442

© Joe DiMaggio

My partner and best friend JoAnne Kalish and I try to go to a new gallery at least twice a month and when we are in Manhattan we sometimes can visit three in a day. You’d be surprised what you can learn from looking at others’  art, regardless of the medium. There was an artist in Miami that had 500 prints of the same photograph in a stack. Not something that I would do, but it was very cool. Both JoAnne, myself, and  dear friend Dennis Wheeler have discovered a fabulous boutique gallery in Lakeville, Connecticut. The owner and curator, Tino Galluzzo, has not only a great eye but is an extremely well rounded, smart entrepreneur. As far as the free stuff goes, he’s got a fabulous smile as well! If you’re within 50 miles of the White Gallery in Lakeville, CT , I would like to cordially invite you to come see the show. When you walk in, you’ll understand why they call it the White Gallery- makes perfect sense to me.

_White Gallery DSC3457 e

© Joe DiMaggio

White Gallery DSC3460 jd

©JoAnne Kalish

To all the ships at sea: Welcome.

White Gallery DSC3462 window

© Joe DiMaggio

To all the ships at sea: Welcome. (You can figure out the morse code!)Learn-morse-code-alphabet