Melchior the Great

Melchior DiGiacomo has had an extremely amazing career, it would be fair to say that he’s one of the finest tennis/sports photographers in the United States.  Some of his black & white work is amazing.  He’s a great street photographer and has the ability to make a fine photographs in some of the most adverse conditions.





The Junior Tennis Foundation (JTF) will recognize four integral members of the tennis community on Friday, April 24, 2015 at 7 p.m. during the 28th Annual Eastern Tennis Hall of Fame celebration at the Beach Point Club in Mamaroneck, N.Y.

Mel DiGiacomo has been a staple at the US Open for the last 44 years. Whether it is down on the court, in the stands or directly alongside the players, DiGiacomo is there with his camera in hand. In addition to the US Open, DiGiacomo has traveled the world to photograph a variety of sports and events.

The North Bergen, N.J. native currently lives in Harrington Park, N.J., where he has proudly resided for the last 40 years. 

“It’s remarkable that Harrington Park, a 4,800 person town, has two residents in the Eastern Tennis Hall of Fame,” DiGiacomo said. “Neil Amdur, the former sports editor for The New York Times and me.”

DiGiacomo began his career at CBS as an usher and worked his way up to production supervisor for “60 Minutes.” After working for CBS for ten years, he decided to become a photographer when he was 27 years old.  

“My friend photographed my semi-pro football practices on the weekends and I always made fun of his photos,” DiGiacomo said. “One day, he joked ‘if you’re so good, get a camera,’ so I bought one, put it together and told him that’s what I wanted to do with the rest of my life.”

A year later, DiGiacomo moved to England to photograph rugby, then moved back to the United States and photographed hockey at Madison Square Garden. 

“A publisher hired me to make a hockey book,” DiGiacomo said. “Gene Scott, founder of Tennis Week magazine, saw it and wanted the same thing, only for tennis.”

DiGiacomo didn’t play tennis and, at the time, had never seen a tennis match. As someone who was familiar photographing football, DiGiacomo began shooting tennis matches with a football lens. The different lens gave him a new perspective to the game, which made him take photos in a way no one else did.

“In those days, you could get close to the players,” DiGiacomo said. “I used to shoot everything in black and white and in a very photo-journalistic style, which was another thing people hadn’t been doing.”

DiGiacomo’s photos have been featured in several publications including, Sports Illustrated, Tennis Magazine, Newsweek and Life Magazine. His new style of shooting and vivacious personality greatly influenced his fellow photographers.

“He’s a wonderful person to be around because he is so friendly,” Bob Litwin, a close friend of DiGiacomo’s said. “Even with really famous people he becomes a friend, not just a photographer.”

Throughout DiGiacomo’s time at the Virginia Slims Circuit and US Open he interacted with several professional players, writers and fans including Billie Jean King, Chris Evert, Jimmy Connors, Arthur Ashe, Martina Navratilova and Mary Carillo. 

Outside of sports, DiGiacomo photographed a number of weddings, specifically tennis weddings. The first wedding he shot was Jeanie Brinkman’s, the director of the Virginia Slims Circuit. 

“I didn’t think too much of it,” DiGiacomo said. “Then, 20 years later, I was asked to shoot Jimmy Connors’ manager Karen Scott’s wedding, and more stemmed from there.”

Pam Shriver, a former professional player, Richard Evans, a longtime tennis writer and Gene Scott each requested DiGiacomo for their big day. 

DiGiacomo values all of his work, but is most proud of the impact he has made in Antigua photographing the tennis tournament at Curtain Bluff. In his first year shooting there, he noticed the ball boys and girls had bare feet, so he followed them home to their village, Old Road. 

“I ended up doing a book that had nothing to do with tennis, but also had everything to do with tennis,” DiGiacomo said. “I was down there for tennis, but I went into the village to document their stories.”

The proceeds from DiGiacomo’s photographs go into the “Old Road Fund” to benefit the children in the village. When the fund earns enough money, it goes toward helping the children attend college. 

DiGiacomo has always supported tennis and the people he has met through tennis. He raised both of his children to become tennis players because he values being part of the tennis community and enjoys that tennis is a sport his kids, who are now adults, can play for years to come.    

“I owe a lot to tennis because it changed my life,” DiGiacomo said. “It has given me so much, my family too.”



30 Years and Nothing Has Changed

As a photographer, one of the first things you learn is eye-hand coordination. Your ability to look at 300 people, 7 people, front-lit, back-lit, and see the photo that you want to make. And before you can even think about it, you’ve made 3 or 4, each one a variation of a theme, not just a motor sequence. Making back lit adjustments on the fly, always thing about where the next photograph is going to come. That’s the good news. The bad news can be all of those things that work against you. And you miss the obvious. It’s happened to me before, and I’m pretty sure it’ll happen to me again. You never want to have blinders on. You want to be open to new lighting, new composition, new stories, and new direction. Invariably, you will grow and your work will improve accordingly. While looking at this very beautiful young lady and preparing to do a very shallow, depth of field simple photograph, I look down and to my right and saw one eye and one sideburn and a little bit of a mustache. I said “Oh my god, could that be Melchior  DiGiacomo?” I took the photograph, looked down, I tapped him on the shoulder, and he said “Joe D., just a minute”. I guess it’s like two chubby italians meeting in the daylight, or is that two ships in the night? I can never get it right. The funny thing about it is I haven’t seen Melchoir in 30 years. And my god, nothing’s changed! It’s good that there is some consistency in this universe.