There are 2 questions I’ve been asked thousands of times. Am I related to Joe DiMaggio #5 The Yankee Clipper? The second question is do you ever work together with the great JoAnne Kalish on the same assignment? The answer is yes, we have on several occasions. When it comes to JoAnne and myself – I say black she says white. I say go she says stay. I say red she says green. It makes for a great relationship because we agree on almost everything! Not! Well, I don’t know about JoAnne but it keeps me on my toes. People think she’s a mild mannered laid back easy going woman. Not! She’s as tough as they come! Many a sports photographer who tried to muscle her out of a position found out that women have elbows too and their’s are a lot harder and sharper then men’s. I’ve seen one or two men actually go down! You shouldn’t push a 11o pound photographer around!
Where am I going with this? JoAnne and I have a wonderful friendship with one of the greatest Blues Musician in the World -also inductee to the Blues Hall of Fame. His name is Bobby Kyle. He’s a great writer, singer, guitarist, arranger and his music transcends Rock and Roll and Rhythm and Blues. Bobby’s got about 6 or 7 albums and his most recent album is drop dead fabulous! He just keeps getting better…If anyone is close to Monclair, New Jersey this coming Sunday November 5, 2017 he has two shows (I think 7 and 10pm) at Trumpets which is a great venue. He will be having a Release Party for his new album “IT’S MY LIFE.” I had the pleasure and privilege of photographing the cover which is a pretty good photo. JoAnne on the other hand got the photo that was used on the CD inside and I kind of like her’s better. I did notice something about Bobby which is that he always shows us his good side. Interesting…I don’t believe I ever photographed him from the other side! Could have something having to do with him looking into the frame rather than out of the frame. By the way, he has his own chapter in my book FILL THE FRAME. He will be at another venue in Philadelphia called the Twisted Tail (November 11) in about a week & you can check out his Facebook page for more information https://www.facebook.com/search/top/?q=bobby%20kyle%20%26%20the%20administers
If anyone wants to check out what I wrote about Bobby Kyle here’s a link to purchase a signed copy of my book FILL THE FRAME. AND ALWAYS PLEASE REMEMBER TO SUPPORT THE ARTS INCLUDING THIS HOLIDAY SEASON! Here’s link to http://www.bobbykyle.com/index.htmlBobby’s website as well
Book is $20 plus $4 shipping. You can pay by check, paypal or credit card (through Paypal.)
My great friend actor Roy Scheider, when I told him that my favorite film was ALL THAT JAZZ. He smiled and said, “You know why I was so good in that? Because I was intense, dedicated, loved women, loved partying and attacked life head on and you know why you liked it? Because you’re the same as me.” Wow, what a compliment. Stuff like that is a lot more valuable than money. He was truly a great actor and great guy. One time JoAnne took me to the Blue Note and we saw Alberta Hunter. Alberta Hunter was one of the greatest American Jazz singers of all time. That probably started my love affair with Jazz and the Blues. Then I ran into Hugh Brodie who turned me onto Kitt Potter and Lilly Howard. Lilly was playing in NY the other night and JoAnne and I went to see her. She was playing with Guitarist Mike Jackson, Saxophonist Harvey Kaiser, Drummer Bobby Sanabria, and Bassist Rich Syracuse three great sets. Wow the end to a perfect week. She was kind enough to introduce me to her son who appeared to be a very cool dude. Like all great singers she sings from the heart and gut. She’ll certainly bring a smile or a tear to your eye. She has that kind of power. As a photographer you get to meet a lot of great people which is very cool… An adventure every day, and a holiday every week. It doesn’t get better than that. By the way here is some information on my recent book FILL THE FRAME.
Jazz and Blues – you can’t tell the difference after dark
Front Cover FILL THE FRAME
“Recalling His Adventures as a Working Photographer from the 60’s to present day. The book describes his career working for publications such as SPORTS ILLUSTRATED, TIME MAGAZINE, HBO, rapidly followed by a brilliant career in Corporate and Advertising. It’s also about how photography has evolved over the years.”
FILL THE FRAME goes into detail about the many people he has photographed – celebrities, sports figures as well as so many others and his experiences working with them, and the stories behind the photographs.
First of many Amazon Reviews – “Where have you been Joe DiMaggio…An amazing recounting of this photographers life. Each story is a touchstone to a period that resonates in our collective recollection of America. It’s at once funny, sad, and charming, I simply couldn’t put it down. A great read…” S. Simon Jacob
In 1969, a new singing group was performing at a Long Island ice skating rink, a trio, actually – Peter, Paul and Mary. I phoned the local newspaper and asked for a press credential. I was turned down. I called another paper; same story. Then I called a weekly, uh, newspaper, containing mostly supermarket coupons, and they said they’d love to give me a credential — if they had any. Make one up, I was told, which I did, subsequently proceeding to bluff my way into the concert. I had a Mamiya C220 camera by then, and an ancient, beat up Leica 3-C. I loaded both with Tri-X black and white film, and as show time approached I managed to work my way onto one wing of the stage. I had loved Peter, Paul and Mary from the start. Mary Travers was the most beautiful woman I’d ever seen. That hair, those eyes . . . and her voice was from heaven. The moments approaching her opening note were counting down, and I was trembling. Then, during the sound check, Mary and her partners walked by, and she said, “Who the fuck is doing the sound here? It sounds like shit.” I think I grew up at that moment. I’d heard those words before, just not from a goddess. Looking back, my photos of the concert were of average quality, except for one shot of Mary, alone on a stool. I sent her a copy. Several years later, during one of her TV interviews, there it was, on the sofa behind her head. More than 40 years have passed since then, and I’ve never stopped looking for the negatives.
I once walked into a cocktail party of maybe 300 or so people and there was only one person I saw. He was a gorgeous gentleman with shock of bright white hair. I worked my way through the party left, right, left, right, and went up to him and said, “Excuse me my name is Joe DiMaggio. I think you’re absolutely gorgeous. I’m a photographer and I would love to do a portrait of you.” I had no idea who I was talking to at the time and that this man was a great musician, songwriter and singer. I was astounded by his absolute persona & charisma.
The man I’m talking about was Hugh Brodie and that was the beginning of three decades of friendship with Hugh. Through him, I learned a lot about music, art history & communication. We always had extraordinary deep conversations. There’s no doubt in my mind that Brodie was an absolute visionary. He let little get in his way and for man who did not catch many breaks in his life, he kept a great attitude. Brodie always called me brother, I called him brother and JoAnne was referred to as sister. JoAnne has a fond memory of Brodie leaving one evening from a party we had. She remembers Brodie went out of his way to walk into the kitchen to say goodnight little brother to our son Dylan. That was Brodie for you!
I photographed Brodie over the years and every time it was totally exciting. This was not because I’m such a great photographer but because his personality and soul always came through. I had the pleasure of spending that precious hour with him, on the last day of his life before he packed his bags and went onto the the next level of consciousness. I think back on our conversation about the sound & vibration of music, going onto infinity in the Universe and that every note and lyric lives on. This is how the whole world will remember Hugh.
Your spirit will always be with us. Love you brother Brodie!
About Hugh Brodie– Miles Davis, Charlie Parker, and Illinois Jacquet were just a few of the musicians that were in Hugh’s dreams as a boy. Little did he know that he would be playing with Jacquet in the 1980’s. Yet, even before he could afford his 3 dollar lessons, Hugh Brodie would fantasize about becoming one of the great jazz musicians.
Hugh’s first exposure to the blues came when he was very young in the fields of North Carolina. He worked on his cousin’s farm and listed to the workers as they sang the blues in the blazing sun tending to the watermelon and sugar cane.
Later, in his early teens, Hugh was amazed by the way the members of the Sanctified Church in Newark N.J. used music in their worship. Hugh was astonished when he witnessed fellow worshipers being overcome by “the great creator” from their toes to their head. These experiences planted the seeds for Brodie’s future music. They created the life experiences and burning hunger that Hugh needed to create music about the spiritual world. Hugh wanted to play music so badly that he begged his father to buy him a sax. Tenor Sax
Times Herald Record – Hugh was a storied jazz veteran. When asked to describe himself, he first says, “I am a creator,” then, “I am a searcher.” He played tenor and soprano saxophones, clarinet, flute, sang and scatted. He was cousin to the great Ella Fitzgerald. Hugh devoted his entire life to jazz, developing his own sound, creating his own music and executing his own unique musical visions. He was taught and encouraged by the greats before him and he, in turn, passed on his collected knowledge, to those who played on the bandstand with him or, who sought him out at his home in Monticello, NY. He has many recordings to his credit, played with the famous Illinois Jacquet big band, traveled the world, produced his own music and appeared in movies and modeled throughout his life.
In 2013, Hugh was awarded a “Certificate of Appreciation,” by the Jazz Foundation of America. It said in part, “Your artistry and recordings have reached to the spiritual and emotional core of the true jazz experience.”
Hugh had a strong, infectious spirit. His influence and music will live on and on.
A celebration of his life and music will take place at The Falcon, RT 9W, Marlboro, NY on a future date.
A UNIQUE OPPORTUNITY for a VERY SPECIAL EVENING with LIVE MUSIC, MULTI-MEDIA and an INTIMATE PERSONAL CONVERSATION, INCLUDING Q & A with BLUES MUSICIAN BOBBY KYLE.
Workshop will be limited to a small intimate group only. Early Sign up cost before April 18 $200 (see Paypal link below)
Come join Joe & JoAnne at the DiMaggio/Kalish Learning Center (in the Upper Delaware, Milford, PA) with musician Bobby Kyle for the pre-release of his new Blues Album ”IT’S MY LIFE.”Both Joe DiMaggio and JoAnne Kalish, two internationally known credentialed, photographers, will be joiningforces with Bluesman Bobby Kyle to bring together and very special evening and unique experience on Saturday June 10.
Joe and JoAnne have been photographing and filming Bobby for the past 20 years. As part of the evening Bobby will talk about what it takes to write and produce music, the state of the music business today, and what it means to be an artist. We will listen to some of Bobby’s music and his upcoming album, along with a multi-media presentation. Afterwards, there will be portrait session, in the studio and a private acoustic set. Autographed CD’s will be available. This is not a photo walk in Central Park but a special evening and a once and a lifetime unique opportunity.
I’m the luckiest guy in the world. I have great friends all over the world from all walks of life! One of my older friends is Hugh Brodie who is a great musician, singer, writer, and plays one helluva Sax. The hell with rock and roll. The women all love him!
Brodie was dealt a bad hand. His last visit to the hospital the Dr. gave him less than 6 months. That was 18 months ago. The last time we visited Brodie he didn’t look good. Much to my surprise, for his Birthday celebration he not only looked great but sounded great. It may not have been Carnegie Hall but it was fabulous to have been there.
There are many people out there that have been to our photographic retreat and jazz workshops, and you all know the words and music of world class jazzman Hugh Brodie. Brodie’s cousin was Ella Fitzgerald – I guess the apple does not fall far from the tree. Now I’m going to tell you a secret, and you’ve gotta promise me you’re not going to tell a lot of people, but I’ve been to three of Brodie’s eightieth birthday parties. My guess is that Brodie is 90-something. God and nature haven’t been really good to Brodie. He recently had a couple of falls, had some serious back problems, and had heart surgery. Thank God he didn’t get acne! With all that, he’s still one hell of a beautiful human being. To celebrate his recent birthday, some of the greatest jazzmen on the East coast came together to play for Brodie. What they actually did, in my humble opinion, was make him one of the happiest people on the planet. He laughed, he cried, he smiled. He was truly ecstatic. For one moment, I was thoroughly convinced he was going to jump up onto the band stand and start belting out some really great music. It was close but it didn’t happen; there’s no doubt that he was singing and playing inside that beautiful heart and soul. Time for me to put down the No. 2 pencil and let the photos speak for themselves. Harvey, thanks an awful lot
I was invited to sit in on a Bobby Kyle studio session. He has an unbelievable new album coming out. I don’t consider myself an expert on music but I’ve been photographing it for quite a while (oops oh yes and listening to it). Bobby has a very distinctive sound. He has reached deep into his heart and soul for this album and it is a major change from everything he has done before. To be quite honest, observing the creative process with another artist is thrilling as well as inspiring. I really had a great time and I learned a whole different aspect of music. It ain’t karaoke. His musical producer, Alan Jax Bowers, is an absolute genius. In the next few days I’ll shoot out some short film footage and give you a little treat. So to all the ships at sea, pick up your camera and go out and make some great photos. Oops! I forgot to mention, Everett Boyd was also there working on his bass parts. Another beautiful and extremely spiritual young man. I love these guys.
I remember the first time I heard the words, “Photo” and “Hills and Valleys”. It was at TIME magazine end of year party. A great up and coming assistants decided to quit. When I asked him why, he said too many hills, too many valleys. The valleys are just too deep. I’m gonna take a 9-5 job. Suffice it to say, I was totally shocked. He was poised to be a staffer in a few years. Well we all make decisions we have to live with. The last 2 weeks I’ve been in a valley. This morning I went to the gym and watched the sun come up. It was glorious. I closed my eyes and I could still see every bit of that sunrise. My iPhone was playing an angel, Mary Travers. The combination of her voice, my eyes shut tight and that sunrise, I got out of the valley and onto Kilimanjaro. It’s amazing how music and photography really go together. No sooner I said that- I went looking for this Mary Travers photo which will be the first photo in my new book. The problem is I can’t find the negative and I’ve been looking for it for about ten years. I made a litho print and hand colored it…not my strong suit. That’s all I have for you today guys. The moral of this story is take real good care of your originals, make sure they’re put away properly so you’ll be able to retrieve them when you’re getting ready to do your memoirs.
Rodman. I was at a Jazz Club one night and I listened to this man and he could blow a mean, mean horn. I invited him to the studio, and he showed up about a week later. What I was looking for was total simplicity. For lack of a better term call it black on black and then highlights on the cheek and horn with fingers. One light. Two black gobos. One small mirror reflector. Camera was Canon F1, Lens 200mm 1.8, PlusX. 90th of a second at 2.8.